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CIRCA 1950s - An organist demonstrates how draw bars affect an organ's flute tone.
CIRCA 1950s - A church organist demonstrates some of the different tones that can be played on a Hammond organ.
CIRCA 1950s - An organist uses draw bars to play string, reed, and diapason tones.
CIRCA 1950s - An organist uses draw bars to play string, reed, and diapason tones.
CIRCA 1950s - In instructing a fellow church organist, a man shows her a manual to help her remember draw bar configurations.
CIRCA 1950s - An organist plays hymns using the touch response percussion control unique to Hammond organs.
CIRCA 1950s - A congregation enjoys their organist's rendition of "Be Still My Soul" on a new Hammond organ.

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CIRCA 1950s - An organist explains what draw bars on an organ are.

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